Sunday Reed: (1) by Moya Dyring, 1934, Heide Museum of Modern Art; (2) by Albert Tucker, 1985, private collection

Recent Posts

• Burnings
• Riverbending
• Nolan’s Adelaide ladies: from English soil and Adelaide
• Adelaide ladies
• Parables of Sunlight: Sidney Nolan – the Religious, the Sublime and the Divine in his painting
• Ned and Sid, Sublime at AGWA
• Scabby Days
• Nolan Centenary Update IV
• Auction of significant Nolan painting
• aCOMMENT on Judith White’s “Culture Heist: Art versus Money”